My New Band Believe
This event is All Ages My New Band Believe, led by Cameron Picton, bassist and sometime frontman of black midi, with whom he practiced an explosive form of musical world-building, weaving complex storytelling through thrilling passages of controlled chaos. The moniker serves as an open invitation, a subtle nod to listeners willing to meet the music on its own terms, to reap the rewards of taking a flying leap into the dark. Picton leads his band so that each track forms, scatters and re-groups, the uplift of one song crashing head-long into the rush of another. Inspired by Bert Jansch’s hypnotic, hard-driving guitar, Judee Sill’s panoramic pop, and the terrifying possibility of dance music, My New Band Believe is both all-encompassing and constantly in flux. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
TOPS
This Event is All Ages TOPS — musicians David Carriere, Jane Penny, Marta Cikojevic, and Riley Fleck — write timeless music that reliably threads immediacy and depth. Bury the Key, their first full-length since 2020 and with new label home Ghostly International, is a captivating reintroduction for the Montréal band: ever refined, undoubtedly masters of their melodic craft yet unafraid of evolving and testing themselves against different, at times darker tones. The album faces feelings once locked away, engaging the give-and-take between happiness, hedonism, and self-destruction. While often inhabited by fictional figures, their glowing, grooving, self-produced songs draw from personal observations: intimacy (both inside and outside the band), toxic behavior, drug use, and apocalyptic dread. Whenrecording started, they noticed a shift and leaned in, jokingly dubbed “evil TOPS,” says Penny. “We’re always kind of seen as a soft band or like naive or friendly in a Canadian way, but we made it a challenge to really channel the world around us.” Through the lens of a looming epoch and the clarity that comes with age, TOPS dip into a more sinister disco realm with Bury the Key, giving their soft-focus sophisti-pop a sharpened edge. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
The Lemon Twigs
This Event is All Ages The Lemon Twigs, the New York City rock band fronted by brothers Brian and Michael D’Addario, have been steadily capturing attention with their unique blend of youthful energy and seasoned songwriting. Drawing on nearly a decade of experience since their debut as teenagers, they combine rock, California harmony, power pop and baroque pop into a distinctive, joyously inventive sound. Their work is marked by intricate arrangements, multilayered harmonies, and adventurous instrumentation – all self-produced in their Brooklyn studio. The brothers craft songs that balance escapist pop with moments of introspection, seamlessly shifting between styles while communicating their ideas with emotional resonance, setting them apart in modern rock music. Listed ticket price is inclusive of all online fees. All sales are final, please review before purchasing. No Refunds.
El Ten Eleven
This Event is All Ages We like to believe our lives can be shaped into stories—clean arcs, legible meaning—but life refuses the outline. Instead, it moves bluntly and without apology, indifferent to our sense of order. Events pile up without resolution, momentum divorced from direction, motion confused for progress. Sometimes the only refuge left is the nowhere of our own minds. El Ten Eleven’s Nowhere Faster, the duo’s 16th release, was forged within that unease. Acrosseight tracks, it considers not just nothingness but velocity—the strange urgency that propels us forward even when the destination remains unclear. We are committed to acceleration, convinced speed itself might save us. The 33-minute album slows just long enough to pose the harder questions: what are we running from, and what do we think we can outrun? That tension appears even in the album’s artwork, once again created with longtime collaborator Rob Fleming. It depicts a classic liminal space: familiar, anonymous, quietly unsettling. Astained glass-colored building and a streetlamp blur at the edges, suggesting motion that feelsless like escape than enclosure—the kind that traps rather than transports. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Phoneboy
This Event is All Ages. Phoneboy’s third album, Heartbreak Designer , out in April 2025, is the next chapter for the indie-rock group, blending their signature infectious energy with a more refined, introspective sound. Following the success of Moving Out , the album explores love, loss, and self-discovery, marking a new level of depth in their songwriting and production. Formed in 2018 by Wyn Barnum, Ricky Dana, and James Fusco, Phoneboy started as three college friends making music in a scene with little space for indie rock. What began as campus shows soon turned into packed venues, millions of streams, and a reputation for high-energy performances. After years of playing alongside the band, longtime friend Jordan Torres officially joined on keys and vocals, bringing a fresh dynamic to their sound. “This is the most complete record we’ve made,” says the band. “It’s still us at the core, but we pushed ourselves further creatively.” Produced in Brooklyn with Ayad Al Adhamy, Heartbreak Designer builds on the band’s hook-driven style while experimenting with new textures and influences. Lead single “I Look Alive” has already made waves, landing in Sirius XM/Alt Nation’s Top 18 and setting the stage for the full release. With this record, Phoneboy isn’t just evolving — they’re defining their place in the indie rock landscape. Catch them on tour this year as they bring Heartbreak Designer to life on stage. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Throwing Muses
This Event is All Ages Throwing Muses released their new album ‘Moonlight Concessions’ in 2025 via Fire Records. The album follows their acclaimed ‘Sun Racket’ from 2020, a heady set filled with tough and tender tales spiked with surreal imagery. ‘Moonlight Concessions’ goes back to basics, a return for Throwing Muses to their esoteric off-kilter best courtesy of Kristin Hersh’s pin-sharp sketches and their suitably abrasive musical arrangements, a collection of snippets from everyday life writ large – think Raymond Carver Short Cuts, overheard conversations, recounted happenings and telling one-liners, all sewed together to illustrate the times as they slowly mature, fully peppered with original Muses’ vim and vigour. Following a string of packed shows across Europe in Spring and Summer 2025, These shows are Throwing Muses’ first U.S. appearances in over a decade.With nearly 40 years of Muses-history behind her, Kristin Hersh continues to be one of the most compelling voices in American rock — a fiercely original songwriter and a magnetic live performer. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Taraneh
This Event is All Ages Taraneh is the rock-centered multi-genre project of Iranian New York-based singer/songwriter, instrumentalist and producer Taraneh Azar. “Taraneh,” meaning “melody” or “song” in Farsi is known for an intimate and haunting vocal style layered over a range of tracks from grunge, goth rock and lo-fi dream pop to industrial and experimental electronic compositions. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Rocketship
This Event is All Ages Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
lots of hands
This Event is All Ages into a pretty room — lots of hands’ debut on Fire Talk Records — exists in the tear-stained early mornings of adolescence, just as the sun makes its first appearance over the horizon and thoughts of the night before begin to subside. A collage of reworked demos, freewheeling session standouts, and swatches of instrumental electronics, into a pretty room emerges as lots of hands’ most thoughtful work to-date. Solemn yet hopeful, into a pretty room occupies the space between moments of tragedy and triumph, offering a touching rumination on grief and loss, growing up and letting go. Billy Woodhouse and Elliot Dryden, the core duo behind lots of hands, first connected in a Newcastle school music program at age 16. At that point, Woodhouse had been tinkering with lots of hands as a solo musical outlet, self-releasing music on Soundcloud and quietly beginning work on 2020’s mistake. Shortly before that record’s release, Dryden properly joined lots of hands, an effort which was quickly thwarted by global circumstances outside of anyone’s purview. Separated by geography and global chaos, Woodhouse and Dryden began work on lots of hands remotely, exchanging demos online to craft what would become 2021’s largely instrumental there’s someone in this room just like you, and 2023’s cult favorite fantasy. into a pretty room marks the duo’s first truly collaborative effort, with Dryden often trekking the vast northern English countryside to write and record in Woodhouse’s bedroom studio. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Wild Nothing: “Gemini” Anniversary Tour
This Event is All Ages Because “Hold,” Jack Tatum’s fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness took it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie’s Harriette Pilbeam, first single “Headlights On” features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.