La Luz
This Event is All Ages “I was in a dream, but now I can see that change is the only law.” With a credo adapted from science fiction author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist and songwriter Shana Cleveland learns to embrace a changing world with unconditional love on News of the Universe, the new full-length from California rock band La Luz. News of the Universe is a record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland’s experience of having her world blown apart by a breast cancer diagnosis just two years after the birth of her son. It’s also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime members bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one. But is there any band in the world more suited to capturing the chaos of change in all its messy beauty than La Luz? Formed by Cleveland in 2012, La Luz is beloved for their ability to balance bedlam and bliss, each new record another fine-tuning of the band’s mix of swaggering riffs with angelic vocals borrowed from doo-wop and folk; a band so reliably great that it makes the huge step forward in confidence and sheer musicality that is News of the Universe all the more formidable. Cleveland, also a writer and painter, has developed into a truly original songwriter with her own canon of haunted psychedelia that, in recent years, has drawn upon the changing landscape around her rural California home for inspiration, notably on last year’s critically acclaimed solo release, Manzanita, a magical realist documentation of her pregnancy and early motherhood that appeared on many year-end lists. Yet if Cleveland has spent years writing songs about ghosts, what lurks in the shadows of News of the Universe is nothing less than death itself. “There are moments on this album that sound to me like the last frantic confession before an asteroid destroys the earth,” says Cleveland. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Hovvdy
This Event is All Ages Hovvdy’s Will Taylor and Charlie Martin have occupied a distinct corner of the modern-day indie landscape for more than a decade. Having evolved from their understated slowcore beginnings in Austin, Texas, they’re now seasoned veterans of the scene. Across their first five studio albums, the duo established their trademark sound of twangy indie rock, 2000s-inspired pop-country, and emotional acoustic ballads with strong pop sensibilities. Their last two records saw them processing life’s most intense emotions more openly than ever before, from declarations of love in its many forms on 2021’s True Love, to grappling with loss and personal change on their latest self-titled album, Hovvdy. But the songs of Big World have them trading in overt emotional directness for subject matter that leans enigmatic, contemplating their place in the world through a mosaic of songs that sees the band at their most secure and self-aware. Listed ticket price is inclusive of all online fees. All sales are final, please review before purchasing. No Refunds.
Franklin Jonas & The Byzantines: First of Many Tour
This Event is All Ages Franklin Jonas is a New Jersey-born artist and songwriter crafting emotionally raw, story-driven music through his project, Franklin Jonas & The Byzantines. Franklin and his band blend Americana with modern textures — creating a sound that feels both timeless and newly unearthed. Known for a high-energy live show, the band has performed in support of The Jonas Brothers, The Maine and Hunter Hayes, building momentum with audiences across the country. Franklin will release his debut album in Fall 2026, coinciding with headlining shows across the U.S. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Rehash
This Event is All Ages Rehash is an indie-rock band from South Florida that began with two high schoolers making music in their bedrooms. In June 2023, they wrote and recorded their self-titled debut album “Rehash”, cementing themselves as one of the most exciting emerging acts on the East Coast. To date, everything has been written, recorded, produced, mixed, and mastered by the band. Their latest project “mock” has been a favorite of fans since its release in June of 2025. With more music on the way, Rehash is gearing up for their biggest year yet. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
The Frights: You are Going to Hate This 10 Year Anniversary Tour
This Event is All Ages A couple of months after graduating from high school, Mikey Carnevale (vocals/guitar) and Richard Dotson (bass) got together as The Frights to play a one off 30 minute set as sort of a joke. The feeling they got from the crowd in their hometown of San Diego inspired them to become a “real” band almost in spite of themselves. Along the way, they recruited Marc Finn (drums) and released You Are Going To Hate This (produced by Zac Carper of FIDLAR) in February 2016. Jordan Clark (guitar) added to the band’s musical prowess in the ensuing year of touring around North America. The Frights signed to Epitaph in early 2018 and got to work on Hypochondriac. Like You Are Going To Hate This, the band’s third full-length was produced by Zac Carper of FIDLAR (who’s also produced albums for SWMRS and Dune Rats). But for Hypochondriac, Carnevale took a more deliberate and exacting approach to his songwriting, resulting in The Frights’ most nuanced work to date. After a sold out show at The Observatory North Park in their hometown of San Diego the same date as the release of the album, the band embarked on the Hypochondriac headline tour that is documented on their upcoming live album. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Mini Trees: Slow It Down Tour
This Event is All Ages Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Weatherday: Honest Disaster Tour
This Event is All Ages “It clicked for me one day, that the album was going to be about hornets,” explains Sputnik, the mononymous songwriter behind the noise-pop project Weatherday. “It just made sense to me.” Hornet Disaster, Weatherday’s follow-up to their 2019 debut Come in, and spiritual successor to 2022’s collab release Weatherglow, is their most expansive work to date. In Weatherday’s initial bout of inspired writing and recording, they produced over 70 songs for the record, but not before they had a complete, overarching narrative that was coherently tied back to Sputnik’s previous work. Like its predecessor Come in, Weatherday’s Hornet Disaster lurches instantly into a caustic title track. The overture is signature Weatherday — urgent, noisy, erratic, and playful — but also hints at shifts in songwriting and production. Lead single “Angel,” backed with “Heartbeats,” demonstrates this evolution in a snappy, springy emo anthem, while its counterpart calls on longtime influence The Knife in a slinky, downtempo curio that pushes the Weatherday sonic universe in an unexpected direction. The movement, color, and form of hornets are meticulously threaded throughout the album’s nineteen song tracklist, with hectic melody and unpredictable turns giving way to various forays: a tribute to Swedish winter in Weatherday’s first official song in Swedish (“Pulka”); the use of renaissance flute (“Green Tea Seaweed Sea”); and the folktronica experimentalism of third single “Ripped Apart By Hands.” It’s a bustling record with disparate songs each vying for space like wasps in a swarm. It can inspire caution and chaos, but there’s wonder, purpose, and a certain familiarity there, too. Weatherday has extended the knotted, thrashing maximalism of Come in by doubling down with the uncompromised, no-stone-unturned nature of Hornet Disaster. Where Come in was the product of an artist searching for their voice, Hornet Disaster represents the joyful abandon that comes from having found it. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Novulent: Vol. 3 The Final Album Tour
This Event is All Ages. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Famous Friend / Floats / Camp Blu / Lover’s Peak
This Event is All Ages Famous Friend Famous Friend is the sun-bleached, indie surf solo project of ASCAP award-winning artist and producer Zachariah Carlson. Born out of the fame-soaked dreamscape of West Los Angeles, Famous Friend began as an alter-ego, a playful mirror of the city’s obsession with image. His music blends washed-out indie surf guitars with sparkling dream pop production and post-punk drums, balancing joy and heartbreak in equal measure. Floats FLOATS is the project of Mark Perez, started in 2017 in San Antonio, Texas as a way torelease demos and songs that didn’t have a place anywhere else. Now based in Los Angeles, the project has grown into a constantly evolving outlet shaped by years of writing, shifting lineups, and nonstop movement. Camp BluCamp Blu emerged from Miami in late 2022, blending indie, surf, and post-punk influences with reverb-soaked guitars and punchy rhythms to create a sound that’s both nostalgic and fresh. Their high-energy tracks are driven by melodic hooks and evocative vocals that swing between yearning and defiance—perfect for both the chaos of a live show and the introspection of a solo car ride. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Man Man
This Event is All Ages When Man Man released its last album, “Dream Hunting in the Valley of the In Between,” frontman Honus Honus (né Ryan Kattner) was in a state of unrest, oscillating between hope and cynicism. Perhaps fittingly, the album ended up dropping during the pandemic. (We could all relate.) But much like that bizarre turn of global events, the ennui seems so distant now to Man Man’s creative force, whose revived sense of purpose washes through Carrot on Strings (out June 07, Sub Pop), his latest release, which radiates a mix of calm and confidence. Kattner always embodied a wild-man pied-piper vibe: his melodic, art-rock output just unhinged enough that it was at once intriguing and angsty. He was so alluringly creative that you went along with it, even if you were never sure where Man Man would take you. Carrot on Strings is no less inventive, but its ethos is radical in context of the band’s two-decade, idiosyncratic career. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.