Show Me The Body is a New York City based ecClesiastical hardcore trio consisting of Julian Cashwan Pratt (founder; banjo and vocals), Harlan Steed (founder; bass), and Jackie McDermott (current drummer). The band has organized non-traditional, intentional DIY spaces for NYC youth since 2015, and since expanded that work to a global capacity through their urgent, ceremonial live shows, subterranean punk and hip-hop mixed tours, and their CORPUS NYC platform. Trouble the Water is the culmination of nearly a decade of barrelling against New York City’s structural ambivalence and indifference; an invocation to a like-minded global community to consider the alchemy of family-building, and of turning water to blood.
Trouble the Water both references and pays homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate it’s true foundation, style, and spirit; while expanding upon and reckoning with the hyperlocal territory of 2019’s Dog Whistle. With Pratt’s most encantatory, interrogative poetry to date, and Steed expanding the glitchy, caustic arena of his electronic experimentation, the band is feeling more like themselves than ever. The founding duo, who have worked together since 2009, used Trouble The Water to methodically inhabit one another’s forms; Pratt experimented recklessly with production and synths, while Steed challenged his own focus to include melodies and riffs.
Although the title invokes the ancient alchemy Moses wielded to free and unite Israelite peoples, Trouble The Water refuses nostalgia, or mimicry. Instead, it considers the sublime power of the unifying physical practices that can be enacted daily, to invoke immeasurable spiritual and collective reactions. Buoyed by moments of stinging stillness and compulsive, almost optimistic, malfunctioning rhythms, the work is literally a conjuration to dance, and move. If we are really living through the end of the world, maybe every movement we make, no matter how slight, is actually boundless and radical. How do we find freedom through rejecting time altogether, and existing only in communion, in space, and in the constellations we form as we choose our “blood” families? Or, as Pratt demands on Demeanor, “What’s better than when we come together? Fighting, dancing, fucking together.” Trouble the Water is at once a homily for those left behind or displaced, and a searing investigation of what survival looks like from within the borders of an aggressively policed city and state, that postures those unignorable calls for rage and migration to a world at war.
Bandmate and long-time music inspiration Jackie McDermott (Sediment Club, Urochromes), joined Show Me the Body in 2020 as drummer, and is featured on the project. Trouble The Water was recorded entirely at the band’s CORPUS Studios in Long Island City, with veteran metal producer Arthur Rizk, and co-engineered by studio co-founder Aidan Bradley.
Dog Whistle (2019) was produced by Chris Coady, Show Me The Body and Gabriel Millman. The heavy, honest project was in direct conversation with the oppressive, claustrophobic psychology of the city, and their most critically-acclaimed work to date, described by NME as “a dedication to the community, friends and family at the heart of Show Me The Body” coupled with “the jarring noise and harsh sonics that made [SMTB] one of punk’s most idiosyncratic voices.” Dog Whistle followed Show Me The Body’s now historic, genre-defying debut album Body War (2016).
Since 2015, Show Me the Body have expanded their international music community into an independent label, recording studio, and community organizing platform. The band recently completed their Half-A-USA tour with support from Soul Glo and WiFiGawd, which included their inaugural In Broad Daylight festivals in New York and Los Angeles. Through the intentional cultivation of their local and global chosen families, and a decade-long dedication to sustaining the New York Sound, Show Me the Body has solidified a legacy of confronting and permanently shifting the rigid limitations of the hardcore genre.
Hailing from Santa Cruz, CA, hardcore punk band Scowl has burst onto the scene as one of the most authentic young voices in the genre, influenced by everything from 80s’ hardcore, punk, and oi to modern alternative pop. Formed in 2019 and consisting of vocalist Kat Moss, guitarist Malachi Greene, bassist Bailey Lupo, and drummer Cole Gilbert, Scowl came out swinging with their fuzzed-out self-titled demo and EP Reality After Reality. Catching the attention of Flatspot Records, the band signed with the label for the release of their critically acclaimed 2021 album, How Flowers Grow. The ten songs on the album are a masterclass in how to write heartfelt punk and hardcore without losing the sense of youthful enthusiasm and fun that makes the genre compelling to begin with. The lyrics are delivered with a biting sense of anger and self-reflection, dealing with everything from personal betrayals to socio-economic strife.
Receiving praise from top music publications like SPIN, Stereogum, Revolver, BrooklynVegan, and a breakout cover story with Kerrang!, it’s no surprise Scowl are shaping up to be one of the most exciting bands of their era. The band has shared the stage with the likes Terror, Comeback Kid, Spiritual Cramp, Young Guv, and Zulu to name a few, and 2022 will find the band on tour with Touche Amore as well as planning for their first performance in Europe. With an undisputed authenticity and intensity found in both their recordings and live show, Scowl has certainly planted a seed for their takeover of hardcore and beyond.
Straight out of Los Angeles, powerviolence band Zulu are here to share their life experiences and make a comfortable environment for everyone they come in contact with. The latest signing to Flatspot Records, the label will be releasing for the first time on vinyl the band’s debut EP Our Day Will Come (2019) and its follow-up My People…Hold On (2020) this summer. Formed by vocalist Anaiah Lei (also of hardcore band DARE) in 2019, Zulu is rounded out by Dez Yusuf (guitar), Braxton Marcellous (guitar), Satchel Brown (bass), and Christine Cadette (drums). Citing influences from Jill Scott to Weekend Nachos, the band’s style is fiercely original laced with heavy breakdowns intertwined with samples of pivotal moments in black culture. The band has already seen praise from Stereogum, No Echo, and New Noise Magazine, and have a tour on the way with fellow California innovators Scowl this Winter. Zulu carries a strong message, but it’s also about having fun, as Anaiah puts it – “Zulu isn’t a political band at all. I started Zulu because I wanted to be in an all black band and talk about what we go through and been going through. But also celebrating our lives at the same time.”