Cat Clyde
This Event is All Ages. Cat Clyde is a singer/songwriter based out of rural Ontario, Canada. A combination of driven, soulful blues and sweet, folk- tinged, dulcet tones that carry a particular sense of familiarity provide the structure on which she creates her unique sound. With influences ranging from Patsy Cline and Lead Belly to Karen Dalton and Bobbie Gentry, this patchwork of musical significance, when stitched to her modern approach, fits like a well-tailored, corduroy-road cloth. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Grizfolk
This Event is All Ages. Grizfolk initially emerged out of Venice, CA, in 2012. Threading together a patchwork of alternative,indie, rock, country, and electronic, the group carved out a distinct niche with various releases, includingWaking Up The Giants [2015], Rarest of Birds [2019], Grizfolk [2021], and Sign of the Times EP [2024].They generated over half a billion streams fueled by the likes of “Bob Marley,” “Waking Up The Giants,”and “In My Arms” [feat. Jamie N Commons], and “Shaky In The Knees.” In between, they incited theapplause of American Songwriter, Atwood Magazine, Billboard, and Substream Magazine, amongothers. Plus, they shared the stage with everyone from Bastille and Twenty One Pilots to AndrewMcMahon.When you listen to Grizfolk, you can practically hear the Los Angeles band experiencing life out loud.Major changes, sensations of nostalgia, and big dreams ring out through softly strummed chords, tightrhythms, and celestial harmonies. Stripping down the sound to its bare essentials only amplifies theemotional impact of each tune, welcoming listeners to hold on to the music even tighter. Theduo—Adam Roth [guitar, vocals] and Bill Delia [drums] —approached this music with clear intent. Asense of minimalism maximizes the effect of the group’s 2024 EP, Way On Out [Nettwerk Music Group].Ultimately, Grizfolk is always moving forward as bandmates and as friends. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
The Last Revel
This Event is All Ages The Last Revel is a four-piece folk group from Minneapolis, Minnesota. Utilizing their multi-instrumental abilities, members Lee Henke, Ryan Acker, Vincenzio Donatelle and Lauren Anderson bring a full spectrum of modern Americana to life with lush arrangements of four-part vocal harmonies, acoustic guitar, upright bass, fiddle, and 5-string banjo to consistently support impassioned performances of their honest and heartfelt songwriting. Drawing influence from their salt of the earth Midwest ethos the band’s songs so naturally blend the genres of Folk, Old Time String-Band and Indie Rock to create a sound that echoes the current heartbeat of America. Their latest release, Dovetail, highlights each member’s strength as songwriters and collaborators, and further solidifies their musical foundation after a hiatus beginning in 2019. Self-produced and released under the bands own label, Sheep Sheep Records, Dovetail is the band’s fifth studio album. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Destroyer (Solo)
This Event is All Ages Destroyer’s latest album, LABYRINTHITIS, brims with mystic and intoxicating terrain, the threads of Dan Bejar’s notes woven through by a trove of allusions at once eerily familiar and intimately perplexing. The record circuitously draws ever inward, each turn offering giddy surprise, anxious esoterica, and thumping emotionality at equal odds. Throughout, LABYRINTHITIS insists that everything’s not all right, but that even isolation and dissolution can be a source of joy— stepping into the sunlight at the other end of the maze in your ear, Bejar strolling alongside like a wild-maned, leisure- suited minotaur. Lyrically, LABYRINTHITIS embraces a widescreen maximalism, blocks of text dotted with subversions and hedges. Building from the koans of Have We Met, Bejar continues to carve his words precisely, toying with expectations and staid symbols, while John Collins’ production reconstructs the pieces into a unified whole. “Even though everyone recorded in their own isolated corners, this is the most band record that we’ve done in the last few years,” Bejar says. “Everything’s manipulated, but the band is really present, and our plans wound up betrayed by what the tracks wanted. I’ve written 300, 400 songs in my adult life—I don’t know how to do anything else—but this album feels like a breakthrough into new territory.” Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Emma Ruth Rundle
This Event is All Ages “I don’t know what to reveal about this album,” Emma Ruth Rundle responds when pressed to talk about her latest record, the stark, intimate, and unflinching Engine of Hell. “I feel like I want to be left alone for a little bit… it doesn’t feel like it’s time to wave the ‘look at me’ flag.” It’s an understandable position given the heavy lyrical content of the record and the naked and exposed nature of the accompanying music. Even the most cursory listen of the album is sure to elicit some questions. Rundle has opted to forego the full-band arrangements of her last two albums—Marked For Death and On Dark Horses—in favor of the austerity of a lone piano or guitar and her voice, putting every word under the microscope. Engine of Hell was recorded almost entirely live with minimal overdubs, and the effect is an extremely up-close and personal confessional with an ASMR-level focus on the rich subtleties and timbre of Rundle’s graceful performances. Much like Nick Drake’s Pink Moon or Sibylle Baier’s Colour Green, Engine of Hell captures a moment where a masterful songwriter strips away all flourishes and embellishments in order to make every note and word hit with maximum impact. But it’s also a record that leaves little to hide behind. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
T Sisters
This Event is All Ages The T Sisters are a genuine sister group based in the creative hub of Oakland, California. Thegroup is made up of Rachel and Chloe Tietjen, twins, and their older sister Erika. Distinguishedby close harmonies, catchy melodies and potent lyricism, the T Sisters’ sound represents acontinuum of music: from roots to pop influences, moments of stunning a cappella to swells ofgroovy indie folk. The sisters’ contemporary yet classic sound invites a range of likenesses,from the Pointer Sisters and the Everly Brothers to modern family bands like the Avett Brothersand First Aid Kit. With their soaring sibling harmonies, sassy stage presence, and inventivesongwriting, these three sisters embody a fresh and soulful take on folk/Americana music. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Blind Pilot
This Event is All Ages Blind Pilot, which consists of Israel Nebeker, Ryan Dobrowski, Kati Claborn, Dave Jorgensen, Ian Krist and Luke Ydstie, was formed in Portland, Oregon in 2007 when songwriter Israel Nebeker and co-founding member Ryan Dobrowski went on a west coast tour via bicycle. Twelve years later, Blind Pilot has released three studio albums, 3 Rounds And A Sound (2008), We Are The Tide (2011) and And Then Like Lions (2016) and has sold out concerts throughout the U.S., Europe and the UK since its inception. The band has performed on Ellen and The Late Show With David Letterman aswell as at Newport Folk Festival, Bonnaroo, and Lollapalooza among others. Listed ticket price is inclusive of all online fees. All sales are final, please review before purchasing. No Refunds.
Atta Boy
This Event is All Ages Resurfacing like cicadas, L.A.-born Atta Boy has never been in a hurry. Instead, responding to some strange seasonal instinct when it comes to recording, their unique, beguiling, comforting, and yet aching blend of pop-Americana seems to arrive in waves, well-formed, fully-gestated, yet hungry and soul-searching. Mixing indie influences with coffee-shop confessionalism, the quartet first found eachother in the hazy days of high school. Navigating the high-strung emotional peaks and valleys of American adolescence, this close-knit crew shaped those experiences into a considerably mature debut, 2012’s Out of Sorts, to be released before they were old enough to order a drink. Finding themselves between the nostalgic interplay of roadhouse piano and barroom balladeering, Atta Boy still comes off mostly upbeat and endearing. Their inventive song structures and swelling melodies reveal a bolstered confidence that, coupled with toe-tapping tempos, charmingly carry listeners through thoughtful meditations that just can’t help but reveal a hallowed hollow for that which is lost, and that which is yet to be found. It’s in this spirit of entropy and negentropy that Atta Boy have once again found themselves coalescing around a shared, collective pang that drives their collaboration and their joyful celebration of all things living, dying, dissolving, and reforming– like a perennial posy pushing through the underbrush to bloom under the first shouts of springtime sunshine, beautiful and golden. Again. And again. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Jake Xerxes Fussell
This Event is All Ages Reared in Georgia and now settled in North Carolina, Jake Xerxes Fussell has established himself as a devoted listener and contemplative interpreter of a vast array of so-called folk songs, lovingly sourced from a personal store of favorites. On his latest album, When I’m Called—his first LP for Fat Possum, and his first as a parent—Fussell returns to a well of music that holds lifelong sentimental meaning, loosely contemplating the passage of time and the procession of life’s unexpected offerings. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.
Canceled: Jess Cornelius
This Event is All Ages Jess Cornelius writes arresting songs that capture the disorientation and endless possibilities of being in flux. On her sophomore album CARE/TAKING, the New Zealand-raised, Los Angeles-based artist sings of personal upheaval with striking lucidity and emotional nimbleness. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.