Concerts - Harlow's

TOPS

This Event is All Ages TOPS — musicians David Carriere, Jane Penny, Marta Cikojevic, and Riley Fleck — write timeless music that reliably threads immediacy and depth. Bury the Key, their first full-length since 2020 and with new label home Ghostly International, is a captivating reintroduction for the Montréal band: ever refined, undoubtedly masters of their melodic craft yet unafraid of evolving and testing themselves against different, at times darker tones. The album faces feelings once locked away, engaging the give-and-take between happiness, hedonism, and self-destruction. While often inhabited by fictional figures, their glowing, grooving, self-produced songs draw from personal observations: intimacy (both inside and outside the band), toxic behavior, drug use, and apocalyptic dread. Whenrecording started, they noticed a shift and leaned in, jokingly dubbed “evil TOPS,” says Penny. “We’re always kind of seen as a soft band or like naive or friendly in a Canadian way, but we made it a challenge to really channel the world around us.” Through the lens of a looming epoch and the clarity that comes with age, TOPS dip into a more sinister disco realm with Bury the Key, giving their soft-focus sophisti-pop a sharpened edge. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.

sosocamo: The Big Country Tour

This Event is All Ages Sosocamo is a North Carolina–born rapper whose blend of Southern rap and self-engineered production first gained traction in underground circles through a series of early SoundCloud uploads created throughout his teenage years. After introducing himself with his debut EP SCREENS in 2023, sosocamo released his debut album No Service in 2024, a 13-track hyper- regional exploration of North Carolina rap, released off the back of back-to-back hit singles in “keep steady” (82M+ streams) and “soulless” (43M+ streams). Recording primarily in his parents’ basement shortly after signing his first distribution deal with Broke Records, sosocamo began expanding his audience through consistent single releases, one-night-only performances, and viral moments that led to connections with 76ers guard Jared McCain and streamers Rakai, Jynxzi, and Ray. No Service established the foundation of a world built around rural isolation, emotional range, and understated vocal experimentation, leading to his first 7-stop nationwide headlining tour and back-to-back one-night-only shows in New York City and Los Angeles.With his forthcoming project Big Country due out in 2026, sosocamo has positioned himself for the next stage of his career. Lead singles “200” (November 2025) and “Say Dat” (December 2025) have set the tone for the album, with “200” earning a Justin Bieber co-sign when the pop star opened a livestream dancing to the track at his SKYLRK pop-up in Tokyo. Poised between the cult movement of No Service and the promise of Big Country, sosocamo enters this next chapter with momentum defined by expanded production partnerships, a broadened sonic appetite, and a stacked touring schedule—venturing on his own worldwide tour in Spring 2026, performing at Rolling Loud Orlando in May, and Summerfest in June. Raised in rural North Carolina with limited cell service and few neighbors, sosocamo grew up in a musically active household shaped by gospel, church choir involvement, and the Southern rap his parents played around the house. Early exposure to Future, Young Thug, Kendrick Lamar, and pop artists such as Justin Bieber informed the foundation of his melodic sensibilities, while witnessing his father’s passion for music and media introduced him to home recording and production. Sosocamo began making music around age 14, initially leaning toward singingbefore incorporating rap elements into his earliest tracks. By high school, he was recording himself, engineering for friends, and developing a catalog of hundreds of drafts. At 19, he met his executive producer Grayto, who later became his girlfriend and helped introduce him to the underground rap landscape surrounding artists such as Yeat, Ken Carson, OsamaSon, and PartyNextDoor-adjacent internet scenes, in addition to other emerging acts whose influence expanded his sound beyond traditional Southern rap Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.

Dead Meadow

This Event is All Ages Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.

Broadway Rave: A Musical Theater Dance Party

This Event is 21 and Over Calling all Musical Theatre nerds, drama geeks, actors, actresses, theatre lovers, and more! Welcome to Broadway Rave, a Broadway Dance Party celebrating the best in show-tunes and musical theatre. Come sing along to all of your favorite broadway hits while dressed up as your favorite character. We’ll have surprise guests from some of your favorite Broadway stars! Live out your Broadway fantasies at Broadway Rave — the most POPULAR Broadway Dance party around. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.

The Emo Night Tour

This Event is 21 and Up IMAGINE GOING TO A SHOW AND HEARING TAKING BACK SUNDAY, FALL OUT BOY, PANIC! AT THE DISCO, MY CHEMICAL ROMANCE, AND MORE, ALL PLAYING THEIR BEST SONGS…ALL NIGHT LONG: WELCOME TO THE EMO NIGHT TOUR Listed ticket price is inclusive of all online fees. All sales are final, please review before purchasing. No Refunds.

Erasure-Esque: Pure Synth, Pure Experience, Pure Erasure

This Event is 21 and Up Erasure-eque was formed in 2008 by two veteran musicians from the San Francisco. They took to the stage in a subdued opening slot in a small club in Walnut Creek, CA. Erasure-esque wowed many that night and immediately set a path for what was to come in the years to follow. Months after their debut performance, Erasure-esque, made their San Francisco debut at The Red Devil Lounge to a crowd that had been waiting months for their first chance to experience what many believe to be the best live tribute to Erasure. Over the years, Erasure-esque has graced the stages of some of San Francisco’s most popular live music venues including The Chapel, Slims, Rockit Room, Bimbo’s, Cafe Du Nord, Red Devil Lounge, Brick & Mortar, and Kimo’s, as well as performing at SF’s Castro Street Fair. The buzz has continued to mount and has stretched beyond the Bay Area to places like New York City, Sacramento, Fresno, Seattle, Portland, Atlanta, Los Angeles, Sante Fe and Mexico! Blue Savannah, Oh L’Amour, Chorus, Chains of Love, A Little Respect, Sunday Girl, Run to the Sun, and Dead of Night are among the few of a rather extensive catalog of hits you will hear when this amazing likeness takes the stage. With glitter, sequins, feather boas, lights, sounds and all the flash and flamboyant attitude, Erasure-esque not only replicates the very sound of Erasure but captures and encompasses the very essence of what makes Erasure so hypnotically entertaining. As Erasure-esque continues to amaze fans around the San Francisco Bay Area and around the country, we still all love what we are doing; whether it be Jason providing the warm vocal harmonies that fill out our sound, Nate who spends hours working over each individual note, sound, drum part and effect, or Vince who’s strong vocal talent, range and performance skills has brought this band to where they are today, it still gives us all the thrill to get up on the stage and perform the music that we all love, to the fans of the music that they love, which is of course all done as a Tribute to Erasure. Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.

Blu & Exile

This Event is All Ages With his cool-headed SoCal demeanor and everyman charisma, Blu was championed at the onset of his recording career when he collaborated with Emanon DJ/producer Exile for the highly acclaimed LP Below the Heavens (2007). Born Johnson Barnes in Inglewood, California, Blu, whose stepfather was a pastor, was influenced by gospel and Christian rap when he was developing his MC skills in middle and high school. His musical turning point came when he first heard the Common classic “I Used to Love H.E.R.” (1994), as well as the Chicago MC’s third album, One Day It’ll All Make Sense (1997). From then on, Blu abandoned his schoolyard freestyle frame of mind and dedicated his abilities to crafting well-written songs. As he started doing live performances, he paid his dues working as a hype man for several underground rap and soul artists, including Slum Village, Steve Spacek, Platinum Pied Pipers, and, of course, Emanon. His relationship with Exile and newfound mindset in making music pointed him toward signing with L.A. independent Sound in Color in 2004, which for the young MC meant brushing off interest from Interscope and Death Row. Subsequently, he cut a few records for Exile’s Sound in Color album, Dirty Science (2006), recorded features for other L.A. artists, and self-pressed his Lifted EP in 2006.When Below the Heavens first hit shelves in August 2007, Blu and Exile were virtual unknowns in underground hip-hop, but Blu’s deft songwriting and Exile’s soul-drenched, Jay Dee-influenced production quickly amassed them a national audience. Below the Heavens ended up on many critics’ year-end lists and launched Blu into the public hip-hop eye. Remaining independent, Blu later turned to Sound in Color labelmate and L.A.-via-Detroit MC/producer Ta’Raach (formerly known as Lacks) for the collaborative project C.R.A.C. Knuckles. Over the next five years, Blu released a total of seven albums and mixtapes, including 2011’s Open and Blu & Exile’s Give Me My Flowers While I Can Still Smell Them in 2012. The previously unreleased albums Her Favorite Colo(U)r and No York! also finally saw proper release in 2011 and 2013, respectively. Blu’s solo album, Good to Be Home, was released by Nature Sounds in 2014, and Bad Neighbor, a collaboration with MED and Madlib, appeared on Bang Ya Head in 2015.The following year, Blu joined forces with Nottz for the myth-inspired EP Titans in the Flesh. ~ Cyril Cordor. 2020 marks eight years since Blu & Exile’s last full-length album ‘Give Me My Flowers While I Can Still Smell Them’. Now in an effort to make up for lost time, the dynamic duo are back to drop the double album ‘Miles: From An Interlude Called Life’ (‘Miles’ for short). Released through Dirty Science Records, the album includes features from Blu‘s childhood friend and now platinum recording artist Miguel, Exile’s childhood friend Aloe Blacc, Dirty Science alum Fashawn, along with several emerging artists like The Last, Artful Dodger, Choosey, Iman Omari, and more. Blu and Exile were Featured on platinum artist Logic’s latest album, as well as Blu’s 2022 release “The Color Blu” and more and more as these prolific dogs never stop creating… Listed ticket price is inclusive of all online fees.All sales are final, please review before purchasing. No Refunds.

Genre: Concerts